Editorial fashion photography spread

high-fashion editorial photograph for a magazine spread, [SUBJECT: e.g. a model in an avant-garde tailored suit], [SETTING: e.g. brutalist concrete interior], dramatic directional lighting with deep shadows from [DIRECTION: e.g. hard light from upper right], [POSE DIRECTION: e.g. confident stride mid-step, gaze past camera], cinematic color grade inspired by [FILM STOCK — see guide], shot on medium format Hasselblad, 80mm f/2.8, fine [GRAIN — see guide], razor-sharp styling details, editorial composition with [COMPOSITION — see guide], photoreal --ar [ASPECT — see guide] --style raw --stylize 350

Composition guide — fashion editorial breaks the rules on purpose:
• Rule of dynamic tension > rule of thirds for fashion. Place the subject on a strong diagonal. The eye should MOVE, not rest.
• For magazine spreads (`--ar 8:5` or `--ar 16:9`): keep the subject OFF-CENTER and leave the 'gutter safe' zone empty — the center 10% of a spread falls into the binding. Never place a face or key detail there.
• For covers (`--ar 2:3` or `--ar 4:5`): leave the top 25% for masthead and upper-left for cover lines. Subject's eyes should fall at the upper-third line.
• Intentional negative space = editorial. Cramped framing = catalog. When in doubt, zoom out.

Styling-to-setting relationship:
• Contrast creates tension: avant-garde clothing in industrial/decayed settings. Soft/romantic clothing in harsh/geometric architecture.
• Harmony creates aspiration: tailored luxury in refined interiors. Streetwear in raw urban environments.
• The wrong pairing kills the image. A ball gown in a modern kitchen is confusing, not editorial.

Film stock color grade guide:
• Kodak Portra 400 → warm skin tones, soft pastels, gentle contrast. The fashion-editorial default. Best for: beauty, soft luxury, warm palettes.
• Kodak Ektar 100 → saturated, punchy, vivid color with fine grain. Best for: bold/graphic fashion, primary colors, outdoor editorial.
• Fuji Pro 400H → cool-shifted, desaturated greens/blues, ethereal. Best for: moody/romantic editorial, cool palettes. (Discontinued IRL, but iconic as a reference.)
• CineStill 800T → tungsten-balanced, halation glow around highlights, cinematic. Best for: night/neon editorial, urban/club settings.

Grain guide: `fine grain` for clean luxury, `moderate film grain` for tactile/analog warmth, `heavy grain` for gritty/raw editorial. Grain is a mood tool — use it intentionally.

Tips: specify wardrobe, setting, light direction, and mood together — they're one system, not four independent choices. Use `--ar 4:5` for single-page, `--ar 8:5` for spreads, `--ar 2:3` for covers. Push `--stylize` to 300–500 for fashion drama; drop to 150–250 if faces or garment details distort. Lock `--seed` to build a cohesive series across multiple generations.